In this presentation the nature of the unusual relationship and iconic symbiosis between Aztec iconography and writing will be examined. Although a full-fledged writing system, the Aztec hieroglyphic script has freely incorporated a number of features from iconography (including the semantics of colour, dimensionality, and interaction between signs), and vice versa, iconography from writing.
Of particular interest is the phenomenon that I have dubbed “graphic syllepsis,” which is characterized by the use of a sign in two functions or readings simultaneously, not unlike our crosswords, in which a letter can represent part of a sequence in two words at the same time, but more complex in nature. The occasionally curious semantic and aesthetic relationship between two Aztec elements in a glyphic compound, without regard to their status as logograms or phonograms and purely based on their iconic references, is a further feature to be discussed.